Review: 'Seal Team Six: Raid on Osama Bin Laden'


Who would have ever thought that revenge would be a dish best served on the National Geographic Channel?

While Nat Geo may not seem like the logical home for "Seal Team Six: The Raid on Osama Bin Laden," this gripping film would be worth watching if it were on HGTV.

Actually, the makers of "Seal Team Six" have taken more heat for their timing than for their carrier. Romneyites have been complaining that debuting this film just before Election Day gives the president a substantial PR boost, highlighting as it does one of the signal accomplishments of his administration.

But it seems clear that there is a far greater issue at stake here than politics. We speak, of course, of November sweeps.

"Seal Team Six" (Sunday at 8 p.m. ET) effectively mixes stock and news footage into its convincing dramatizations to re-create the long and tense chain of events that culminated in the 2011 death of the al-Qaida mastermind in his fortified compound in Abbottabad in Pakistan.

The Seals, carrying generic noms de guerre - Cherry, Stunner, Mule, and Trench - are played by a nicely varied cast including Anson Mount ("Hell on Wheels"), Cam Gigandet ("Priest"), Freddy Rodriguez ("Ugly Betty") and former rapper Alvin "Xzibit" Joiner.

Kathleen Robertson, the secret sauce on Starz's "Boss," portrays the obsessed CIA analyst who keeps the project going even though she can't provide conclusive proof that bin Laden is holed up in the building.

You also get a "Prison Break" reunion, with William Fitchner (Mahone) as the CIA boss who coordinates the raid and Robert Knepper (T-Bag) as the Seal officer who spearheads it - and gets all the movie's cool inspirational lines.

Apparently more content - voiceovers and news video - of the president was added late in the editing process. This makes sense from a narrative perspective, keeping the film from tipping too much into a more strident espionage or military focus.

The flaws of "Seal Team Six" are small and easily forgiven. It labors a little too strenuously to find emotional and personal connections for all the American characters to 9/11.

And considering how smartly John Stockwell had directed this film, the climactic scene is oddly rushed, cramped, and night-vision murky. It might well be purposely obscured to keep from inflaming Muslim sentiments.

Otherwise, this is a very artful construction: an exciting drone-and-dagger film that generates a ridiculous amount of suspense on its way to an outcome that is never in doubt.



8 p.m. ET Sunday

National Geographic Channel


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